The 56th International Film Festival of India (IFFI 2025) will pay tribute to the nation’s cinematic heritage with the presentation of 18 meticulously restored classics. These films have been brought back to life under the National Film Heritage Mission (NFHM) by the NFDC–National Film Archive of India (NFAI).
A Diverse Selection of Indian Cinema
Curated as part of the Indian Panorama Special Package, this selection features a rich variety of Hindi, Telugu, Malayalam, Bengali, and Marathi cinema. It reflects a vast spectrum of artistic expression that has been preserved with rigorous archival standards and deep respect for each film’s original creative intent. This year’s program carries significant historical resonance.
It celebrates 125 years of V. Shantaram and pays centenary tributes to renowned filmmakers and artists, including Guru Dutt, Raj Khosla, Ritwik Ghatak, Bhupen Hazarika, P. Bhanumati, Salil Choudhury, and K. Vaikunth. The festival also marks 50 years of NFDC, underscoring its pivotal role in shaping modern Indian cinema. A dedicated showcase of Shyam Benegal’s Susman further honors the visionary filmmaker’s enduring contribution.
Rigorous Restoration Process
The Indian restored titles presented at IFFI 2025 exemplify the project’s commitment to meticulous restoration, which includes painstaking frame-by-frame digital restoration and color grading. This process is often undertaken in collaboration with filmmakers, cinematographers, or their associates whenever possible.
Launched by the Ministry of Information & Broadcasting in November 2016, the National Film Heritage Mission stands as one of India’s most ambitious preservation initiatives. Its mandate encompasses the preservation, conservation, digitization, and restoration of India’s film heritage, which includes camera negatives, release prints, and rare archival materials sourced from rights holders, collectors, and international institutions.
Highlights of the Festival
Among the highlights is Ritwik Ghatak’s Subarnarekha, restored from the 35mm master positive in the NFDC–NFAI collection, with final color grading supervised by cinematographer Avik Mukhopadhyay. Muzaffar Ali’s Umrao Jaan has been restored from a preserved 35mm release print after the original negative deteriorated irreversibly, with Ali personally supervising the grading to maintain the film’s unique chromatic elegance. His earlier milestone, Gaman, returns in a newly restored version, with missing footage reconstructed from a subtitled archival print.
Equally notable are the restorations of Kalpana Lajmi’s Rudaali and B.N. Reddi’s Malleswari. Each of these films has been restored meticulously while preserving their textual and visual authenticity. The program also celebrates timeless classics such as Raj Khosla’s C.I.D., Guru Dutt’s Pyaasa, and V. Shantaram’s Dr. Kotnis Ki Amar Kahani, restored from surviving prints or dupe negatives after original materials were lost or damaged.
Modern-era films—including Ek Doctor Ki Maut, Ek Hota Vidushak, Kireedam (featuring Dadasaheb Phalke Awardee Mohanlal), and Musafir—also form part of the lineup.
A Unique Sensory Experience
One of the program’s rare treasures is Baburao Painter’s Muraliwala (1927), one of the few surviving Indian silent films. This film will be presented with a specially curated live musical accompaniment by composer Rahul Ranade, offering audiences a sensory experience reminiscent of early 20th-century film exhibitions, alongside the presence of Baburao Painter’s two surviving daughters.
Films such as Ramesh Saigal’s Shaheed (1948) and Mani Ratnam’s Gitanjali illustrate the varied eras and narrative traditions represented in this restoration slate, with each title presenting unique technical and archival challenges.
Together, these restorations showcased at IFFI 2025 celebrate the contributions of India’s most influential cinematic personalities. They reaffirm India’s commitment to safeguarding its moving image heritage, ensuring that the artistic, historical, and cultural memories embedded in these works continue to resonate with new generations.