Krystle D’Souza talks about stepping in for Tamannaah Bhatia in ‘Shararat’ and her journey to it.

Krystle D’Souza talks about stepping in for Tamannaah Bhatia in ‘Shararat’ and her journey to it.

Popular television actress Krystle D’Souza has opened up about stepping in for Tamannaah Bhatia in the much-discussed song ‘Shararat’ from the film “Dhurandhar.”

Destiny and Talent

Speaking candidly, Krystle emphasized that it was all about destiny, saying, “What’s meant to be, will be.” She praised Tamannaah’s talent and beauty, noting how opportunities often align perfectly. When asked about reports suggesting that Tamannaah was rejected for the song, Krystle stated she wasn’t aware of the decisions made behind the scenes but recognized Tamannaah’s incredible talent, calling her ‘amazing.’

Krystle shared, “I had no idea about all this, but I mean, she’s amazing, she’s beautiful, and she’s so good at what she does. More power to her, you know—what’s written in someone’s destiny, they receive. I feel like this was meant for me, it was meant for Ayesha, and we got it. But that doesn’t take away from how beautiful Tamannaah is or what a great performer she is.”

Support for Fellow Artists

She added, “Maybe she would have added her own spark to a song—she brings her own aura, her own limelight, and I think that’s wonderful. I feel proud of every woman who is doing so well, and I’d love to see more women deliver amazing, crazy performances and support one another.”

Krystle D’Souza and Ayesha Khan feature in the song “Shararat” from “Dhurandhar.” The upbeat track has been sung by renowned Punjabi singer Jasmine Sandlas and Madhubanti Bagchi.

Clarification on the Casting

For those unversed, choreographer Vijay Ganguly recently shared in an interview that Tamannaah was initially considered for the song, but director Aditya Dhar did not approve the idea. Following the viral nature of his statement, he went on to clarify on his Instagram stories that Tamannaah was never actually in the running for the track.

In his statement, Vijay wrote, “To clarify: Tamannaah Bhatia was never under consideration because her star power is so significant it might have overwhelmed the specific needs of this scene. In “Dhurandhar,” the music is woven into a high-stakes moment where the tension is key. The makers opted for two performers to keep the focus on the story’s progression. This choice was about protecting the film’s atmosphere and ensuring the narrative remains the hero of the sequence.”

Vijay Ganguly also expressed his thoughts on the discourse surrounding the film, saying, “I genuinely enjoy conversations around cinema and the many layers that go into making a film. That said, I have often refrained from putting myself out there because sometimes words get selectively lifted, misquoted, or sensationalized to serve headlines rather than the craft. It’s unfortunate that instead of the conversation staying on the song and the creative intent behind ‘Shararat,’ the focus has shifted to comparisons between two wonderful artists, with strong and reductive terms like ‘rejections’ being used—something that was never the spirit of what was shared.”

He concluded, “Cinema is collaborative. It thrives on respect, nuance, and context. I hope we can keep the spotlight where it belongs—on the work and the many people who pour their hearts into it.”