Human beings have always evolved alongside technology, a sentiment echoed by George Miller, the director of ‘Mad Max’.
While many in Hollywood express concerns about the impact of artificial intelligence, particularly with the emergence of AI actress Tilly Norwood, George compares its influence to that of the Renaissance movement on painting. In a conversation with ‘The Guardian’ prior to leading a jury at the Omni AI Film Festival in Australia, Miller mentioned that the debate surrounding AI “echoes earlier moments in art history,” especially during the Renaissance when oil painting allowed artists the freedom to revise and enhance their work over time.
“This shift sparked controversy; some argued that true artists should commit to the canvas without corrections, while others embraced this new flexibility,” Miller observed. He added that a similar debate arose in the mid-19th century with the advent of photography, stating, “Art has to evolve. While photography became its own form, painting continued. Both changed, but both endured. Art changed.”
Miller advocates for AI, describing it as “way more egalitarian.” He expressed, “It will make screen storytelling accessible to anyone with a calling for it. I know kids not yet in their teens using AI. They don’t have to raise money; they’re making films—or at least putting footage together.”
As reported by ‘Variety’, Miller views artificial intelligence as “the most dynamically evolving tool in creating moving images.”
“As a filmmaker, I’ve always been driven by the tools. AI is here to stay and will change things,” he explained, noting that “the balance between human creativity and machine capability is what the debate and the anxiety are about.”
However, Miller believes that AI is not a threat, as it cannot replicate the “human essence.” Reflecting on a past discussion with filmmakers regarding the 2015 British documentary ‘Listen to Me Marlon,’ which recreated Marlon Brando in 3D using software, Miller expressed skepticism about AI’s ability to replace or faithfully revive actors due to the unique nature of human performance.









